Month: January 2010

The Changing Mind’s Eye

I was inspired by some long exposure photos I saw in the 2010 Folios edition of “Silvershotz”. On Wednesday the overcast cloud bases were in cloud roll mode, so I thought maybe I could pull off something similar to what I saw. I got to the George Bush Nature Preserve here in Houston and went to the pond on Noble Trail. I set up the tripod, used the built-in level function on my camera, and searched my bag… I found that I left behind my 4-stop neutral density filter. I knew right away I wasn’t going to get the shots I originally wanted. Undaunted, I took a few shots anyway just to play some more with my camera.

For those who don’t know, a neutral density filter is a filter that cuts down on the amount of light that passes into the camera lens. It’s called neutral density because it does not affect the contrast or light dispersion into the lens, it just cuts down on the amount going in. It fits over the end of the lens. This allows for long exposures during bright light and will allow very narrow apertures for macro shots where a deeper depth of field is desirable.

I took a few shots and decided on my Day 6 shot and left the others to sit on my hard drive. About 24 hours had passed and I decided to take a break from my paperwork and fired up Lightroom to look at some older photos. For some reason I decided to look at yesterday’s photos first. This is the original shot here:

The initial reason for rejecting this was that it just wasn’t what I was looking for when set out to take these photos. But I learned a little while back that nothing stays the same, even 24 hours later things change. I saw something more in this photo… something dark and sinister.

The darkness of the trees in the horizon stirred the emotion in me, so I started playing with it a little bit to bring into focus the vision within my subconscious mind. There was a harshness in the winter trees that played against the soft and subtle tones of the clouds. It was almost as if I were in a dream that was descending into something more sinister. After converting the image to black and white, it really became apparent that this was the vision in my mind.

The image was still too dark to be effective. I lightened the photo but the trees now looked funny. I was able to darken the horizon and found the darkness of the trees was playing very well off the clouds, which now had a rough but wide dynamic range. The white at the top center begins to darken as you move through the image, ending in the nearly black trees. The water took away from this effect, so it was cropped out. Once I softened the clarity of the entire image, my mind’s vision was fully realized:

This now was the final image. It shows a dark and sinister path ahead, which is what my mind saw when I opened the photo again less than 24 hours after initially rejecting it. The image is entitled “Chimera Descent”.

This little exercise highlights the fact that everything in life is fluid and changes can occur rapidly. I still go through some of my old photos looking for new visions that exist within my mind. Nothing stays the same, and sometimes the things we reject contain a beauty that only comes after initial contact.

Any comments on this are welcome.

Diving Tower Study 1 by Marius Rustad

As I’ve said before, minimalist photos rank are my favorite. To take simple elements and bring them all together to create a powerful image takes a vision and a mind beyond my feeble skills. This picture by Marius Rustad is no exception as it is a powerful photo.

According the short bio of Marius contained in “Silvershotz”, he was an only child, but he says he never felt alone as he was growing up. I can certainly see how this translates to his work. The photo here shows the lone diving platform, but one does not get the impression at all that the sense of loneliness one would normally get from an image such as this. Instead, the platform seems to enjoy its place in the seeming void of the water. This sense is reinforced by the perfect calm of the water, making the reflection nearly flawless. If it weren’t for the reflection and the darkening color of the water at the horizon, it wouldn’t be much of a stretch to believe that this platform is floating in the air. The calmness of the water also provides serenity.

The placement of the platform suggests that while it is far away, it is not so far that it is inaccessible. On the contrary, the platform seems to have chosen this spot as a small test of one’s worthiness to climb aboard. The test is there, but not impossible, or even hard, but still must be passed.

One area where this photo really stands out is the tonal range. The smooth tonality here is impeccable and was the first thing I noticed about this photo. The serenity offered by the calmness of the water is strongly reinforced by the ultra-smooth tonality of the photo. The only break throughout the photo (aside from the platform itself) is the horizon, but even that serves as a compliment to the overall feeling of the image.

The clarity is amazing, owing in part to his use of a 6×6 medium format camera (which is why the image is square). Medium format cameras use film that is larger than the standard 35mm film to which most of us are familiar. The result is superior clarity in smaller prints, with the ability to make larger prints.

I would encourage anyone to look at more of Mr. Rustad’s work, which can be found by clicking here.

What do you think of the photo? What does it say to you?