Tag: photography blog

2021…

…is almost over. It’s hard to believe my last post to this was in July 2020. I didn’t mean for this to be a once-a-year thing. Let’s resolve in 2022 to up to the productivity. Let’s just hope I’m not merely adding to the pile of broken resolutions (admit it, you have some as well lol).

Since my last post, well, let’s take a look. There were the protests/riots after the death of George Floyd, a clusterf**k of a presidential election in the United States, a clusterf**k of a protest on the day Congress was to certify the election results, Covid vaccines developed and deployed, economic inflation that is threatening to do some real damage to economies around the world, new Covid variants, and an ever-deepening divide between people groups of people in the United States. This list is just the United States alone. Many nations around the world are facing their own new challenges brought on by Covid.

On a personal level, I lost someone I considered a friend (non-Covid related) as well as Ozzy, my beagle and all-around great dog that adopted me at the age of 8 weeks. He would have been 13 in Jan 2022. I miss him every day. I also almost lost my German Shepherd to a severe infection. Thankfully we were able to intervene before it could spread to other parts of her body. Many of you know I live in Texas and the challenges Texas residents across the entire state faced in February. All these things were in addition to the stresses brought on by the challenges of recovering from 2020. Recovery is going to continue into 2022, but one thing I feel is much more optimism than 365 days ago. I need this feeling if I have any hope of accomplishing my goals in 2022.

It wasn’t all doom and gloom, however. Texas began its collective reopening in 2020 and accelerated that process in 2021 as vaccines became widely available. I found myself with some promo work and, after getting the pokes myself, was back in the bars doing what I loved the most – photographing live metal performances.

Dawn Of Dissolution – the commission that stirred me awake
David Van of Kranc - the first published concert photo from me in over a year.
David Van of Kranc – This is the first concert image made by me in over a year.

Since June, I have shot 7 shows, which is a little slower than the normal pace over the past couple of years (excluding 2020). For me, however, this pace is good. The show from where the above image was made was a chance to reconnect with people I hadn’t seen in over a year (some in nearly 2 years). It was the fuel I needed after the Dawn Of Dissolution shoot to feel purposeful again.

Creatively (and in general) things felt as if they were getting pretty dark for a little while. I tried me hand at a few things in 2020 but quickly gave up on them as things with the outside world seemed to be only getting worse with each passing day. I tried my hand at digital painting from a photograph:

Scene just outside of Shiner, TX (photo made in 2011)
Zolrak Montes of Unholier at Destroying Texas Fest 2019

This little experiment last about a month before I fell back into the funk. A couple of friends and I joined together and started processing each other’s RAW images. This turned out some interesting results. Although at any one time we were working on the same image, this exercise taught us that different people can look at the same objective information and see something totally different from the others. This particular activity lasted several months until one of the members started classes at a local college. Once he completes his work, we will be starting this again.

There are several other things I started and continue to actively work, especially now that I feel a little more like myself again. One in particular is a marriage of text and imagery based of a lyric I once heard. “I will give you sanctuary in these hymns of Thanatos” is that lyric. It’s stuck with me since I first heard it a little over 14 years ago. I am organizing a series around it. Here are a couple of sketches:

Decrystallizing Reason by Emperor

Luna by Moonspell

Wraith by Dark Fortress

These are a little all over the place as they were tests of different techniques and concepts. I’m beginning to drill down on some consistency over the execution and will soon start executing more fully realized images. I’m a little excited about this project as the lyric on which it’s based is beginning to burn more and more brightly in my mind.

For the final topic of this entry, I picked up work on an existing project that had been neglected for a long time. This project is the skyscape images that helped me get into the BFA program at the University of Houston. I’ve often wanted to continue this one, and now that is happening. As of right now, the project is strictly digital as I lost my medium format film camera in Hurricane Harvey in 2017. A friend of mine recently gifted me a Pentax K1000 35mm film SLR. As soon as I can begin purchasing color film, I am going to definitely be adding that back into the project (it is a mix of digital, color negative, and color positive images).

In terms of my art, this is where I’m at so far in 2021 and heading into 2022. I have a lot of goals to reach in 2022, both in terms of my art and in my personal life. I would like to get back to New York to visit my family sometime this year and find a way to get my wife home to visit hers (which is, in my view, the greater priority). I will find a way to discuss some things more in depth in a future post that will come much sooner rather than later. Until then, I bid you all a Happy New Year and good fortune in whatever form will do you best in 2022.

It’s All About the Content

I know I should really post more than once a month.  This semester is kicking my ass a little bit, but that’s not necessarily a bad thing.  I’m learning a lot and finding out things about my vision that I never realized before.  But we won’t go too much into that with this post.  Let’s go ahead and keep this one on the simple side.

I can’t remember if I mentioned this or not (and frankly, I’m too lazy to go back and look), but our in-depth topic of study this semester is portraiture.  This is a little out of my comfort zone as I’m not one to shoot people.  I guess this comes a little from a view I had of portraiture that was rather limited in scope.  I have had models sit for me before and they expected direction from me.  The problem for me in those situations was I would go into them with very little in terms of an idea other than “I just want to photograph a person in various poses.” Needless to say, it was a little difficult to get much in the way of content from them.  That’s not to say that those sessions were wastes of effort – I did get some good shots out of my subjects.  They just seemed to take a lot more effort than I anticipated.

A couple of years has passed since those early sessions.  I found out that having an idea was very important when going into a shooting session.  Currently I have 3 active photo projects.  Of those, 2 are portraiture projects that have concrete ideas attached to them.  One deals with projection and perception while the other deals with emotion.  Of course, the emotion project could be a perception/projection type project as well, but since this is a rather specific area, I am a little hesitant to lump it under that heading.  After all, isn’t portraiture all about perception and projection?  But I digress…  here are 2 images of those projects in progress (click image to embiggen:

andrew _MG_3780

I’m sure my readers can tell which is which in terms of projects.  We just had a midterm critique and I received some really positive feedback on the images in the projection/perception project.   The only real negative was one of the professors really didn’t care for the print quality, which I thought was very fair given there were some issues with the color balance throughout the series.  All in all, however, the feedback was very positive and the critiquing bodies expressed an interest in more samples as well as how I edit them down for the final series.  We ran out of time so we weren’t able to discuss the emotion project images I submitted.  I’m not unhappy about it though, as the project is specifically for my class with Keliy Anderson-Staley, and not my overall semester project (which the other is).

Speaking of Keliy Anderson-Staley, she is a professor that the University of Houston and a bit of a rising star in the fine art portraiture game.  She shoots a lot of tintype portraits.  A tintype is made when a metal substrate (tin, in this case) is coated with an emulsion and then used as the “film” in the camera.  The “film” is then developed, fixed, and washed pretty much the same as film.  The emulsion is slow (in this case it was a 15 second exposure) so Keliy used a bar to help keep my head upright through the entire exposure.   The use of tin as a substrate and the wet collodion emulsion is one of the earliest processes of photography.  She took this of me in February:
Rick_tintype

I highly recommend checking her website (link at end of article).  She has some really good stuff up there.

Well, at this point I should be heading out as it is late and I need to be awake in a little over 4 hours.  I will update again soon as a lot has happened for me, and I have many more ideas I would like to discuss.  Feel free to comment at will, and don’t forget to check out Keliy’s work.

Keliy Anderson-Staley (anderson-staley.com)